Beck Wikipédia, a enciclopédia livre

This was the fourth single to be released from their album For That Beautiful Feeling. Frontman Nate Ruess on the single “What This World Is Coming To”, which was one of the Grammy-winning artist’s many works featured on his debut solo album Grand Romantic released in June 2015. On June 20, 2009, Beck announced that he was starting an experiment called Record Club, in which he and other musicians would record cover versions of entire albums in one day. Initially, the eight-track album released digitally khelaghor with a physical release on red vinyl set for 13 February, 2026. On June 21, 2023, Beck released the track “Odyssey” with French pop-rock band Phoenix, who did a co-headlining summer tour with Beck, which started in August and ended in September. It is currently unknown if this means a 15th studio album will be released in the upcoming future or not.

• Each day, the musicians started from scratch, often working on songs for 16 hours straight.
• The duo knocked out two tracks in two days, but the notion that the album would be finished in a timely fashion soon evaporated.
• In 2014, Beck collaborated with Sia for the song “Moonquake Lake”, which is featured in the soundtrack for the 2014 Annie film.
• Instead, Beck plucked one song from it—the Odelay album closer “Ramshackle”—and shelved the rest (“Brother” and “Feather In Your Cap” were, however, later released as B-sides).

Personal life

In 2004, Beck contributed a cover of the Korgi’s 1980 New Wave song, “Everybody’s Gotta Learn Sometime” to the soundtrack for Eternal Sunshine of the Spotless Mind. The album, Dimension Mix, released in 2005, was a benefit for Cure Autism Now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold. On September 25, 2022, Beck released a cover of Neil Young’s track “Old Man” to promote a Sunday Night Football game. On September 8, 2017, Beck released the single “Dear Life”, which was followed up with the official release of “Up All Night” on September 18. A second single “Waking Light” was also released a week prior to the official release of Morning Phase on February 21, 2014. In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions.

Mutations and Midnite Vultures (1998–

Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and “not really strew my baggage across the public lobby”. Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck’s wishes. Beck and his bandmates wrote songs in fourteen days, although just twelve made it onto the album, 1998’s Mutations. Having not been in a proper studio since “Deadweight”, Beck felt anxious to “go in and just do some stuff real quick”, and compiled several songs he had had for years. During this time, he contributed the song “Deadweight” to the soundtrack of the film A Life Less Ordinary (1997). He hung out at Los Angeles City College perusing records, books, and old sheet music in the college’s library.

A Beck song called “Harry Partch”, a tribute to the composer of the same name and his “corporeal” music, employs Partch’s 43-tone scale. Later in July that year Beck also featured on the Orville Peck song “Death Valley High” off the latter’s album Stampede. In 2023, Beck collaborated with The Chemical Brothers for the second time on the song “Skipping like a Stone”. In 2021, Beck collaborated with Paul McCartney to make his hit single “Find My Way” on the album McCartney III Imagined. He delivered vocals along with Matt Shultz and helped the band to finalise the song. In 2019, Beck contributed to Cage The Elephant’s song “Night Running” on their album Social Cues.

Radiohead

Beck hired the producer Nigel Godrich, who had produced Radiohead’s 1997 album OK Computer. Beck blends country, blues, rap, jazz and rock on Odelay, the result of a year and half of feverish “cutting, pasting, layering, dubbing, and, of course, sampling”. “I can’t tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or just pointing and shaking their heads and laughing—while performing during that period,” he later recalled. Combined with “Loser”‘s wildly popular music video and the world tour, Beck reacted believing the attention could not last, resulting in a status as a “one-hit wonder”. The song also charted in the UK, Australia, New Zealand, and throughout Europe. “Loser” quickly ascended the charts in the U.S., reaching a peak of number ten on the Billboard Hot 100 singles chart and topping the Modern Rock Tracks chart.